David Revoy @davidrevoy@framapiaf.org
I write and illustrate the webcomic Pepper&Carrot 🍄, free/libre and open-source 🌱
Inscrit·e en avr. 2017
Honored to be a guest at @geekfaeries this year!
I'll do signing sessions, a talk about my FLOSS tools in the 'Pôle Hacking' room, and a Krita live painting tribute to Terry Pratchett with @Pouhiou in the 'Mind Palace' room. I can't wait!
More info: https://www.geekfaeries.fr/
Quick doodle to test a refurbished Ms Surface Pro 3 (cheap, 2014) running GNU/Linux (Fedora Gnome). Good hardware support out of the box for stylus and touch on this model.
Feedback:
- I could saw almost nothing while drawing, even with backlight to max and no sunglasses.
- It's not precise at all.
- It's super hot today and so was the black tablet.
But a 100% Free/Libre and open-source digital drawing pad with Mypaint on a bench? Very fun!
Pepper&Carrot episode 37 production report: an important milestone today. The alpha version (still in French) was posted to proofreaders. Here is a photo of my setup over last month for drawing and inking all pages:
OK...
Votes for the poll are closed now. What a... hum hum... "lovely?" color. 😆
Thank you for all the participations! Now I'll try to paint a fantasy landscape with this one as my dominant color. I'll toot it here soon.
( If other artists around want to give this challenge a try , we can tag our toots with the hex address: #5b7376 to collect and discover them )
1068 votes, 17h remaining, and it's not gray. Here is a snapshot at the RGB collective color with the result so far:
Narcissus & Echo
Here is my modern take on the well known myth from the Metamorphoses of Ovid. An old artwork from 2006.
This morning, I decided to upgrade the quality and share the full resolution. I remixed a bit the artwork and switched the license to Creative Commons Attribution 4.0 Int.
That's a long process to free my art from the past, I hope you'll like it even if the style shift is huge compare to what I do now. We all have metamorphosis, right?
https://www.davidrevoy.com/article206/narcissus-echo
#MastoArt
New Pepper&Carrot derivation: a short scene animated coming with a fully detailed #krita and #b3d making-of. A project done by Purism's Creative Director @francois .
You can read the full making-of here: https://puri.sm/posts/animating-pepper-carrot-with-librem-laptop/
I really liked the result and all the production tips on the article (the compositing!). A very good resource if you are interested into animation with Free/Libre and Open Source tools.
Fractal Mermaid ~ suggested nudity and eye contact (digital painting)
Mastodon tip: you can customize a column to list multiple hashtags (and block-list some of them too). It's a good way to discover all the posts gravitating around the topics you like (eg. for art, #mastoart is a popular one). That's really a feature I love here and wanted to share it to newcomers.
Hey, if you are new here, and need a (temporary?) avatar, I updated my page with all my generators: cats, birds, fenestars and abstracts, have fun!
➡️ https://www.davidrevoy.com/article591/cat-bird-fenestar-abstract-avatar-generators
🌴 Preparatory drawing for the opening landscape panel of future episode 37.
#krita
Because your TL needs more #caturday content, here is "Noutti", my inspiration for Carrot.
Stylisation research for "Pepper the traveler in incognito mode".
Why a stylisation research now?
Pepper&Carrot production report article with all the process and more artworks on the blog ⏩ https://www.davidrevoy.com/article906/ep37-production-report-style
(note: at the origin, the content of this blog post was a thread of 9 posts on the blubirb-site: https://twitter.com/davidrevoy/status/1513900405356384265 , but I'm not sure threads are easy to read or write on Mastodon? Advices are welcome!)
In the interest of keeping Pepper&Carrot free, I've decided to take on subtle product placement.
New article on my blog: "How proprietary social-medias are shaping the future of Pepper&Carrot"
I write and illustrate the webcomic Pepper&Carrot 🍄, free/libre and open-source 🌱
Inscrit·e en avr. 2017
