
Just thinking about this has made me feel all nostalgic about #Letraset. I created many DIY documents with Letraset back in the day, but they were all consigned to the dustbin long ago.
Letraset gave me my first introduction to #fonts and #typeography. I remember standing in the stationer's looking at all the different fonts on offer and carefully deciding which ones I would spend my pocket money on.
I'm gradually working my way through the recordings from the #DCC creator summit. I just watched the seminar on #layout for #TTRPGs. It prompted me to think of how my own experience with layout developed.
The first #RPG thing I laid out was an attempt at a zine that I made as a teenager. This was in the days before desktop publishing was a thing. I used my mum's #typewriter to write the text and physically cut and pasted the columns onto a page, with rub-on #Letraset transfers for the headings.
No, not Paratype. Para-tipe. One of the many Letraset competitors. This brand is new to me.
Oh, guess which british female type designer doesn't have a Wikipedia page? Freda Sack. *sigh*
I don't have the energy to create one right now. It's like half a day to make a decent page, and then it'll get deleted immediately as not-notable.
What happens when you ignore overshoot when setting your Letraset on the baseline? Dancing type! https://fontsinuse.com/typefaces/298/modern-no-20
At Kelham Island Museum last night, had fun playing with some real rub down Letraset. Loved the tactile, slow, hands-on experience, hated the spacing and the terror of tearing the letter as you peel the sheet off.
A catalog designed for an exhibition that ran in Darmstadt, München, and Zürich in 1978–79, Typographie: Schrift und Graphik mit Letraset (1978) features the work of the catalog’s designer, Christof Gassner, as well as dozens of other artists and designers using Letraset.
For a closer look at select images and typefaces from this book, check out @FontsInUse: https://fontsinuse.com/uses/5433/typographie-schrift-und-graphik-mit-letraset
This weekend (among other things): a triple about the 1972 Jamaican cult film “The Harder They Come”, starring Jimmy Cliff. Featuring three Letraset classics, Zipper, Superstar Shadow, and Bottleneck:
https://fontsinuse.com/tags/41459/the-harder-they-come?order=most-liked
So, in summary, today I learned that either there's a typography aficionado living somewhere in the neighborhood, or that old #Letraset lettering swag is something you can potentially sell online ironically to millennials, but unfortunately I have no way to tell which of those is the truth.
Letraset Graphic Arts Products Catalog, Letraset USA, Inc., 1973. The cover features Stripes https://fontsinuse.com/typefaces/39223/stripes, a typeface designed by Tony Wenman specifically for the dry-transfer medium.
@marksimonson comments, “I love how [Wenman] was aiming at a design that took advantage of the ‘instant sheet medium’. In the examples they show how you can just rub down some of the lines to get different effects.”
#Letraset Instant lettring
Futura Book 48pt 11-9mm
Printed in England
U.S.A. Order No 228-48-CN
#Fonte « Une feuille de papier, un stylo et… du #Letraset. Malcolm Garrett, créateur du logo des Buzzcocks, et Daniel Miller, fondateur du label Mute Records, se souviennent de cet outil : c’était facile, c’était pas cher, et c’était beau. C’est devenu la police du punk » sur https://www.arte.tv/fr/videos/086962-009-A/letraset-la-police-du-punk